Written for Time Out Like a Heat magazine for the stone cold, Unburied Treasures exhumes apocryphal tales of celebrity corpses and spins th...
Review: Little Gem, Bush Theatre
Written for Culture Wars Elaine Murphy’s debut invites you into the family fold with open arms. When its three women – mothers spanning thre...
Review: Tape, Old Red Lion
Written for Time Out In a Michigan motel room, vindictive idler Vin orchestrates an impromptu high-school reunion. However, this is no time ...
Review: Delusion, Barbican Centre
Written for Culture Wars Laurie Anderson’s stories, rather her poetic ruminations and parables, are born out of alternate states of consciou...
Review: Polar Bears, Donmar Warehouse
W ritten for Culture Wars We never find out the name of Kay’s affliction. By not disclosing it, Mark Haddon questions its very existence, in...
Review: Andersen's English, Hampstead Theatre
Written for Time Out As new writing goes, Andersen’s English is the sort of quaint relic commonly assumed to be extinct outside of Richmond...
Review: 1936, Arcola Theatre
Written for the Financial Times With little over two years until London 2012 gets under way, Tom McNab’s engaging dramatisation of events pr...
Review: Trash City, Camden Roundhouse
Written for Culture Wars I’ll give Trash City this: its production values are high. Lit up like a stadium concert, costumed like a catwalk ...
Review: Kontakthof, Barbican Centre
Written for Culture Wars Last week, I started moisturising. Perhaps that decision – although it wasn’t quite as conscious as the word sugges...