Jimmy Stewart, that handsome Hitchcockian everyman, is a Martian. At least, that’s what Tassos Stevens would have us believe in this intrigu...
Review: Joking Apart, Union Theatre
Written for Time Out Richard and Anthea are one of Alan Ayckbourn's quintessential perfect couples; so bloody lovable that they would lo...
Review: Cinderella, Richmond Theatre
Written for Time Out There's no telling when and where the panto gods will descend. When they do, however, the effect is as dizzying as ...
Review: Noises Off, Old Vic
Written for Whatsonstage Short of natural disaster or nuclear holocaust, nothing can derail Michael Frayn’s masterclass in farce. Noises Off...
Review: A Christmas Carol, Arts Theatre
Written for Time Out Though it's about as surprising as the satsuma at the bottom of your stocking, Simon Callow's spoken-word rendi...
Review: Haunted Child, Royal Court
Written for Whatsonstage Metaphorical resonance threatens to drown out narrative in Joe Penhall’s three-hander. Ostensibly a family play wit...
Review: The Ladykillers, Gielgud Theatre
Written for Whatsonstage A heist movie that trips into farce, The Ladykillers is a patchwork narrative. Originally a 1955 Ealing comedy sta...
Review: Lecture Notes on a Death Scene, Camden People's Theatre
Written for Culture Wars The death scene up for consideration in this reflective spine-tingler from Analogue is your own. At least, it is on...
Review: Goodbye Barcelona, Arcola Theatre
Written for Time Out ''Ere Mum,' squawks 18-year-old cockney Sam, 'You seen this 'ere Spanish Civil War in this 'ere...
Review: Hamlet, Barbican Centre
Written for Culture Wars In Britain, we tend to take our Shakespeare as it comes. Directors that dare draw out – or worse, impose – particul...
Review: The Comedy of Errors, National Theatre
For a winter vacation of sorts, Dominic Cooke has skipped from his Sloane Square office to the biggest stage on the South Bank. Presumably, ...
Review: Same Same, Oval House Theatre
Written for Culture Wars Asha was born in a cubicle in a ladies loo at Kings Cross station at 17.13 on the 2nd July 1989. Her twenty-one yea...
Review: Frontman, Chelsea Theatre
Written for Culture Wars In the past, Action Hero have miniaturised the big screen Western and the stadium daredevil. On one level, Frontman...
Review: The Malcontent, White Bear Theatre
Written for Time Out Written in 1603, as Shakespeare worked on Measure for Measure , The Malcontent sees a leader smuggle himself into the ...
Review: The Kitchen Sink, Bush Theatre
Like a Mike Leigh play with laughter lines where furrowed brows should be, The Kitchen Sink marks Tom Wells out as an extraordinary young w...
Review: Matilda the Musical, Cambridge Theatre
Written for Culture Wars Matilda ’s got its own Spiderman in the first five minutes: a spoilt brat in crude, homemade fancy dress. The RSC’s...
Review: The Riots, Tricycle Theatre
Written for Culture Wars London was still burning when Nicolas Kent proposed that writer Gillian Slovo assemble a verbatim piece on the subj...
Review: Reasons to be Pretty, Almeida Theatre
Written for Culture Wars Reasons to be Pretty offers none. Early on, in fact, it looks like an errant ‘r’ has snuck into its title. Reasons...
Review: TaniwhaThames, Oval House Theatre
Written for Culture Wars There is a sirensong quality to this watery devised piece from Shaky Isles Theatre – a London-based company with st...
Review: Salt, Root and Roe, Trafalgar Studios
Written for Culture Wars Eroded by dementia, Iola’s mind has lost its sharpness in the same way as the pebbles she collects from the beaches...
Review: Yerma, Gate Theatre
Written for Culture Wars Anthony Weigh has distilled Federico García Lorca’s ‘tragic poem’ into a litany of the life-cycle. It hammers away,...
Review: Next Time I'll Sing to You, Orange Tree Theatre
Written for Time Out If a hermit falls over, does he make a noise?' That's more or less the question asked by James Saunders's 1...
Review: Festen, Barbican Centre
Written for Culture Wars The tipple of choice at Helge Klingenfeldt-Hansen’s 60th birthday party is a glass of bitters. Appropriate indeed f...
Review: Hamlet, Young Vic
It’s the mental state of Denmark we should be worried about in Ian Rickson’s concept-heavy Hamlet , which places Michael Sheen’s long-awaite...
Review: Roadkill, Barbican Centre/Theatre Royal Stratford East
Written for Culture Wars Roadkill sears itself onto your conscience. It is a desperate and anguished scream that refuses to recede quietly,...
Review: Fanta Orange, Finborough Theatre
Written for Culture Wars Another day, another ethically complex play about our relationship with African nations. Perhaps even more than The...
Review: Danny and the Deep Blue Sea, Southwark Playhouse
Written for Time Out This fragile two-hander - as delicate and devastating as anything on the London stage right now - glistens with hope. T...
Review: The Swallowing Dark, Theatre503
Written for Whatsonstage Lizzie Nunnery’s taut and terse two-hander defies black and white thinking. Like the best drama, it presents an eth...
Review: Speechless, Arcola Theatre
Written for Time Out Something's not right when a programme is more enjoyable than the show it's supposed to supplement. It suggests...
Review: The Last of the Duchess, Hampstead Theatre
Written for Whatsonstage.com You wait years for a drama about Wallis Simpson and then three turn up at once. Last Christmas, she popped into...
Review: Death and the Maiden, Harold Pinter Theatre
Written for Culture Wars Sometimes a faulty production can be as instructive as a great one. Ariel Dorfman’s Death and the Maiden reads as ...