Written for Whatsonstage.com You wait years for a drama about Wallis Simpson and then three turn up at once. Last Christmas, she popped into...

Written for Whatsonstage.com You wait years for a drama about Wallis Simpson and then three turn up at once. Last Christmas, she popped into...
Written for Culture Wars Sometimes a faulty production can be as instructive as a great one. Ariel Dorfman’s Death and the Maiden reads as ...
Written for Whatsonstage.com Theatre is championed for its ability to react to current events. With talk of social media revolution, impendi...
Written for Time Out Taboo-busting doesn't get much tamer than this. Jane Prowse's adaptation of Jane Juska's best-selling memoi...
Jumpy is just that. April De Angelis relies on momentous events – pregnancies, marital crises, affairs, gunshots – to make her points, only...
Written for Whatsonstage.com The old criticism of John Osborne is that he wrote not plays, but character studies. It holds true for Inadmiss...
Written for Culture Wars Scale, ambition and a spirit of collaboration make the inaugural event at the new Bush Theatre, which has moved fro...
Written for Time Out Laurence Holder's biographical drama about Malcolm X is the inaugural production of the Brixton Empire. Daljinder S...
Written for Time Out Jason Hall 's Third Floor is a broad comedy about neighbourly etiquette among residents of a London apartment bloc...
Edward Bond hasn’t granted permission for a London production of his second and most famous play for 27 years. If that seems self-righteous,...
She’s here. She’s there. She’s every-fuckin’-where: Georgia Fitch. Georgia Fitch, who crams every major footballing scandal from recent year...
Written for Culture Wars Electra , with all its grand, sweeping passions that seem to have knotted the intestines of its characters, with it...
Written for Time Out Delicacy is insufficient recompense for tedium and there's plenty of both in this previously unseen two-hander by H...
Written for Culture Wars Jesse Briton was still a student at East 15 when he wrote Bound , a story of six Devonshire trawlermen facing an ec...
Written for Culture Wars There’s colour and character aplenty in Robin Norton-Hale’s production of Shakespeare’s least agreeable play, but i...
Written for Culture Wars St John Ervine’s 1911 play could easily begin with the ‘Ding! Ding!’ of a boxing bell. It is, essentially, a right ...
Conor McPherson’s latest is a curious piece: a penny dreadful with the sort of highbrow ambitions that ought to set you back a shilling. The...
Written for Time Out Michael Strassen, king of the micro-musical, has previously compacted Assassins and Company for the Union's tiny ...