Review: The Redemption Solos, Old Red Lion

Written for Time Out Though both contain a death averted after a change of heart, the two monologues that make up the Underground Collective...

Review: Hamlet, National Theatre

Written for Culture Wars Rory Kinnear’s Hamlet is a marked man; most definitely “the observed of all observers.” The Elsinore he inhabits is...

Review: A Number, Mernier Chocolate Factory

Written for Culture Wars Caryl Churchill plunges straight into a number of dilemmas, both ethical and epistemological, in her disarmingly i...

Review: Faust, Young Vic

Written for Culture Wars There’s no doubting that Vesturport, Iceland’s primary theatrical export, have gone for flair with their circus-he...

Review: The Sleepers Den, Riverside Studios

Written for Time Out While Peter Gill's latest directorial venure plays at the Bush, a mile down the road his 1969 debut play gets a ten...

Review: On Ageing, Young Vic

Written for Culture Wars "When I had my first hip replacement," says a twelve year old into a tabletop microphone, "I had a p...

Review: The Big Fellah, Lyric Hammersmith

As David Costello, Finbar Lynch bursts in to the New York flat being used as an IRA safe house. He barely breaks stride, unlocking, swishing...