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Monday, April 16, 2012

Info Post
Written for Time Out

Performance poet Inua Ellams returns to the National with this contemporary fable woven from real world geopolitics. As their fashion line of bespoke black T-shirts expands into mass production, two Nigerian foster brothers find themselves swept around the world by market forces like pollen in the wind.

Muhammed and adopted Matthew are opposites: one a charismatic, business-minded Muslim, the other a reserved Christian artist. When Muhammed's homosexuality is outed, they're forced to leave their home nation - and family - for Egypt. With business blossoming, running away becomes a profit-driven relocation.

It's like Daedalus and Icarus re-imagined in consumer capitalist terms, with their eventual downfall coming in a Chinese fabric factory. However, fables leave little room for substantial interrogation and, without room for qualifications, Ellams's portrait of their world is too broad. Making London a model of multicultural harmony seems particularly problematic.

Nonetheless, you sink into his storytelling, which paints vivid mental images and, thanks to minimal yet eloquent sound, a real sense of location. Ellams has an easy, laid-back charisma and pares poetic flair for narrative with admirable restraint. The wordsmith remains present, though, and his sentences, with their sophisticated flavour and texture combinations, can be something of a Michelin-starred mouthful.

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