Review: Troilus and Cressida, Riverside Studios

A play is more than a set of circumstances. That, in a nutshell, is the problem with the RSC and Wooster Group’s (dis)joint(ed) production o...

Review: Have I None / The Under Room, Lyric Hammersmith

Written for Whatsonstage.com To say that Edward Bond sits outside of the theatrical mainstream is to underestimate the distance between Mosc...

Review: Blasted, Lyric Hammersmith

“Reviled. Respected. Revived.” That’s how the Lyric Hammersmith is tagging its production of Sarah Kane’s controversial debut play, notoriou...