Edinburgh Round Up: All That Is Wrong; Mess; NOLA; Coalition

Written for the New Statesman In Edinburgh, the how can sometimes overshadow the what. Fringe audiences are won over by artistry, more than ...

Review: Audience, St George's West, Edinburgh Fringe

Written for Culture Wars Spoiler alert: If there's any conceivable chance that you might see Audience either at the Fringe or beyond, pl...

Review: Teenage Riot, Traverse Theatre

Written for Culture Wars Teenage Riot is a magic eye. / It’s a two-tone tie. / It’s a line-drawn bunny that seems like a duck. / It’s a rot...

Review: A Game of You, One on One Festival at BAC

If Internal presents you with a distorting fairground mirror, A Game of You walks you inside an infinity triangle. Everywhere you look the...

Review: The Smile Off Your Face, One on One Festival at BAC

Another day, another wheelchair rickshaw ride... Ontroerend Goed’s The Smile Off Your Face seems the most appropriate place to start my jou...

Going Back Inside: Internal Revisited

It’s been three weeks since I experienced Internal and, like a lot of others , I’m still mulling over its mechanics with a quiet regular...

Review: Internal, Mecure Point Hotel

Written for Culture Wars Internal is carnivorous. It preys upon its audience, feasting on our individual characters before spitting us out i...

Review: Under the Influence, Drum Theatre, Plymouth

Written for Culture Wars Over the past two years, Ontroerend Goed have done a fair amount to popularise unapologetically experimental theat...

Once and For All We're Going to Tell You / That Night Follows Day

Rarely have two pieces of theatre existed so tightly entwined as That Night Follows Day and Once and For All We’re Going to Tell You Who We...