Review: Boris and Sergey’s Vaudevillian Adventure, Pleasance Courtyard, Edinburgh Fringe

Written for The List Nothing covers cracks like cuteness. Boris and Sergey are two faceless leather bunraku puppets that look like reconstit...

Review: My Elevator Days, Pleasance Courtyard, Edinburgh Fringe

Written for The List What do we leave behind in an ever-changing world? The old man in front of us will never get the 19 million Google resu...

Review: Thin Ice, Pleasance Courtyard, Edinburgh Fringe

Written for The List What sets Thin Ice apart is not so much its narrative – a disjointed love triangle between academics in the Arctic Cir...

Review: I ♥ Peterborough, Pleasance Courtyard, Edinburgh Fringe

Written for Culture Wars Peterborough, for me – as, I guess, for a lot of people – is a train station. A bog-standard train station, in fact...

Review: Hell’s Bells, Pleasance Courtyard, Edinburgh Fringe

Written for The List Seventeen years after being dropped one series in by the BBC, Mrs Milliner is back on the television. Well, a televisio...

Review: Bottleneck, Pleasance Courtyard, Edinburgh Fringe

Written for The List By the time you realise precisely what Luke Barnes’ play is up to, it’s already too late. You’re already in the thick o...

Review: Minsk 2011, Pleasance Courtyard, Edinburgh Fringe

Written for The Independent A man unfurls the Belarusian flag. He is bundled off by a gang of men in thick-soled boots. The same fate awaits...

Review: The Invisible Show II, Pleasance Courtyard, Edinburgh Fringe

Written for Culture Wars Marking a radical shift for Fringe veterans Red Shift, this live-broadcast headphone drama seeks to blend into the ...

Review: Thirsty, Pleasance Courtyard, Edinburgh Fringe

Written for Culture Wars Addressing the cocktail of reasons for drinking, the Paper Birds portray alcohol less as a stimulant than a simulan...