Review: The Witness, Royal Court

Written for Culture Wars The best play of the year to date, The Witness is a beautifully woven, layered piece of writing with a rare blend ...

Review: Mogadishu, Lyric Hammersmith

The Big Society has its first theatrical talisman in Vivienne Franzmann’s Mogadishu and – here’s the kicker – it hasn’t a single solution t...