Review: The Fastest Clock in the Universe, Hampstead Theatre

Written for Culture Wars In reviving the greatest hits of its fifty year lifespan, the Hampstead Theatre ’s celebratory season has never let...

Review: Home, Southwark Playhouse

Written for Culture Wars Can a tasting menu ever really satisfy like a full three-course meal? Tangled Feet ’s nomadic exploration of the s...

Going Back Inside: Internal Revisited

It’s been three weeks since I experienced Internal and, like a lot of others , I’m still mulling over its mechanics with a quiet regular...

On Emerging Companies

I realised that I had never linked to this piece for the Guardian blog about young companies and the need to experiment with form.

Thoughts on Implanted Thoughts: Rotozaza at the Forest Fringe

Over several years, Rotozaza ’s practice has evolved to dispense with performers entirely. Their early work, such as Romcom or Five In the ...

Review: Sporadical, Forest Fringe

written for Culture Wars Having scooped themselves a Fringe First and a Total Theatre Award last year with the manic and moving Crocosmia ,...

Review: Crush, Underbelly

Written for Culture Wars Not so long ago Second Life was just that: a layer of fiction, leisurely escapism. Now, according to Paul Charlton,...