Review: And the Rain Falls Down, Young Vic

Written for Culture Wars Despite its preoccupation with precipitation, there’s nothing wet about Fevered Sleep’s latest show for pre-school...

Review: Jonah non Grata, ICA Theatre

If that really is the question, the answer may well be, “Meh.” After Simon Kane’s solo show, an attempt “to fashion as one a perfect model ...

Review: Reading Hebron, Orange Tree

Written for Time Out By concluding with an admission of the immense comlpexity of the Arab-Israeli conflict, writer Jason Sherman runs the r...

Review: The Blue Dragon, Barbican Centre

Written for Culture Wars For all its intelligence, there’s something uncomfortable about The Blue Dragon , Robert Lepage’s return to China....

Review: Snake in the Grass, The Print Room

The tennis court at the bottom of the garden is unkempt. Its wire fencing has been invaded by ivy and its scuffed surface is unplayable. The...

Review: The Heretic, Royal Court

Written for Culture Wars Perched upright on the green sofa for the latest edition of The Review Show to discuss Greenland , Mark Ravenhill ...

Review: Ordinary Days, Trafalgar Studios

Written for Time Out Adam Gwon's piquant musical, revived after a successful run at the Finborough in 2008, can't choose between rom...

Review: Vernon God Little, Young Vic

The first rule of showbiz, according to Walt Disney: “Always leave them wanting more.” DBC Pierre’s Booker prize-winning debut, adapted for ...

Review: Water, Tricycle Theatre

Written for Culture Wars There is a landslide of environmental theatre in London at the moment. You’d think that, spurred on by its being d...

Review: The Antonioni Project, Barbican Centre

Written for Culture Wars Is love a luxury? It’s hard not to think so when these three entwining romances, none of which sail plainly, are su...

Review: The Art of Dying, Southbank Centre

Written for Culture Wars Hell might just be a mediocre clown show seen from an appreciative audience and clowning doesn’t come much more med...