Review: L'Ecume de l'Air, Barbican Pit

Written for Culture Wars There’s no doubt that Martin Schwietzke can juggle. In L’Ecume de l’Air (literally: The Foam of The Air) handfuls...

Review: Circus Klezmer, London International Mime Festival 09

Written for Culture Wars It begins in the queue. Adrian Schvarzstein’s Village Idiot has dived into the ladies toilets and is now pulling wo...

Review: Seeking Oedipus, London International Mime Festival 09

Written for Culture Wars Seeking Oedipus is the show to launch a thousand showers. Theatre of Silence’s physical retelling inflicts a revu...

Review: Captain Oates' Left Sock, Finborough Theatre

Written for Culture Wars In 1912, on the return journey of the first British polar expedition, Captain Lawrence Oates sacrificed himself for...

Review: Love in (3) Parts, Southwark Playhouse

Written for WhatsOnStage.com Lost Dog describe Love in (3) Parts as “a (quite) romantic play.” While this is in part down to its slight and ...

Head Above The Parapet

Just popping in - at a ridiculous time in the morning - to point you in this direction . I know it's precious little to be getting on wi...

Review: Medea, Humble Theatre

Written for What'sOnStage.com At first glance, Jodi de Souza’s transposition of Euripides’ ancient heroes to pop culture royalty is a pr...

Happy Pig's Ear

My parents welcomed in 2009 from a train carriage somewhere between Vauxhall and Clapham Junction. Having attempted to watch the fireworks a...