Review: Fog, Finborough Theatre

Written for Culture Wars “Micky Mouse Britain,” as Tash Fairbanks and Toby Wharton present it in Fog , contains a Welfare State Mowgli. Gary...

Review: Fanta Orange, Finborough Theatre

Written for Culture Wars Another day, another ethically complex play about our relationship with African nations. Perhaps even more than The...

Review: Venus at Broadmoor/The Demon Box, Finborough Theatre

Written for Time Out Compared to Bedlam, as seen on the Globe stage last year in Nell Leyshon's play of the same name, Broadmoor seems a...

Review: Fen, Finborough Theatre

Written for Time Out Feudalism is alive and well according to Caryl Churchill’s serf and turf play not seen in London for 27 years. In a ser...

Review: The Man, Finborough Theatre

Written for Culture Wars I should admit to having a personal – and, therefore, entirely subjective – affinity for James Graham’s recent writ...

Review: Captain Oates' Left Sock, Finborough Theatre

Written for Culture Wars In 1912, on the return journey of the first British polar expedition, Captain Lawrence Oates sacrificed himself for...

Review: The Time of Your Life, Finborough Theatre

Written for The Stage Beginning with a burp and proceeding with equal delicacy, Max Lewendel’s tedious production saps the metaphor and mela...

Review: Follow, Finborough Theatre

Written for Culture Wars Like the newborn lumbered on its teenage protagonist, Follow is ill-conceived. Spurious to the point of being spoof...

Review: Cradle Me, Finborough Theatre

Written for The Stage After a brief foray into the city with his last play Turf, Simon Vinnicombe has retreated to the suburbs for Cradle Me...

Review: Sons of York

Written for The Stage In picturing England’s winter of discontent under James Callaghan, writer James Graham turns Doomsayer-in-Chief. With ...