Written for Time OutDon’t be fooled by David Hoyle’s title of choice – he’s not the sheepish type. Instead, the artist formerly known as Divine David returns to the RVT with his trademark combination of grizzled camp, cutthroat humour and gnashing teeth. The result is a ramshackle cabaret-cum-chat-show that’s more of a catharsis than a comedy.
Hoyle, who opts for a ‘1940s rape victim’ look on opening night, is held with reverent respect on the alternative scene. He remains a vociferous revolutionary: his topical first-half routine feels like stand-up with the punchlines replaced by pure pugilism. Tonight there is particular fierceness reserved for Iris Robinson, NSPCC advertising campaigns and disengaged youth. However, his gutsy honesty occasionally swells to the point of disarming itself and Hoyle can come over as a fairground pariah dishing out witty fanaticism for show.
As such, his guests have the vital role of keeping the second-half anchored and entertaining; a task to which the fantastically (gl)amicable Scottee Scottee rises with panache. Though it sags in parts, their conversation is – at its best – fascinating, lighthearted and grippingly heartfelt. It’s Radio Four for a parallel universe or ‘Loose Women’ with brains and balls. Future guests include Bourgeios and Maurice, Boy George and Dickie Beau.
‘Licking Wounds’ could use a firmer structure and more preparation, but there’s no doubting its urgency, intelligence and bravura.
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